Tag: acceptance

  • Flex Your Thought Muscle

    Who doesn’t face difficulty in life? Difficult decisions, for starters, are part of being human. Each day presents us with countless choices—some big, some small.

    But what about difficult internal experiences? At some point, we all have experienced things like negative emotions, unwanted thoughts, or intrusive memories. We may even be engaged in an ongoing battle with depression or anxiety, or avoid situations that would lead to a more fulfilling life because of an unspoken fear holding us back.

    Acceptance and Commitment Therapy, or ACT (pronounced like the word “act”) is an evidence-based tool that can help you accept your difficult internal experiences and commit to taking action that brings you fulfillment in life. In other words, it’s a way of choosing to act according to your values rather than allowing your difficult internal experiences to dictate how you live.

    One of my favorite quotes about choice comes from the Austrian neurologist and psychologist Viktor Frankl. In his book Man’s Search for Meaning, he writes:

    Everything can be taken from a man but one thing: the last of the human freedoms—to choose one’s attitude in any given set of circumstances, to choose one’s own way.

    ACT takes a similarly empowering view of choice in response to human suffering. In Reclaim Your Life: Acceptance & Commitment Therapy in 7 Weeks, psychologist Carissa Gustafson describes how the mindfulness components of ACT help you make the choice to live out your values despite the difficult experiences you may face. She writes:

    They allow you to pay attention to difficult experiences like thoughts, feelings, memories, sensations, and urges without immediately reacting to them. Instead, you make a conscious decision as to how you want to respond to any given situation based on your values.

    Many of our internal struggles are the result of the storytelling mind, something that makes us uniquely human. While our ability to tell stories allows us to do many wonderful things, it can also lead us to believe things about ourselves and our world that are untrue or unhelpful. In fact, oftentimes the stories we tell ourselves make our internal suffering worse. ACT helps us overcome this trouble through gaining psychological flexibility. Just like performing exercises to increase our body’s flexibility, we can also use strategies to increase our mind’s flexibility.

    There are six core processes of ACT that can be used to increase psychological flexibility. In his book Get Out of Your Mind and Into Your Life: The New Acceptance and Commitment Therapy, Dr. Steven C. Hayes calls them “the ACT hexaflex.”

    The ACT hexaflex (via Rising Sun Counseling)

    Let’s break it down:

    1. Acceptance

    Essentially, the “acceptance” part of ACT entails welcoming any experience, whether positive or negative, into your life without judgement. In his poem “The Guest House,” 13th-century Persian poet Rumi encourages us to welcome every kind of guest into our home. “Entertain them all!” he says.

    The negative spaces are part of life and we should accept them too. I like how Henry Miller describes acceptance in The Wisdom of the Heart:

    The act of living is based on rhythm—on give and take, ebb and flow, light and dark, life and death. By acceptance of all aspects of life, good and bad, right and wrong, yours and mine, the static, defensive life, which is what most people are content with, is converted into a dance, “the dance of life,” metamorphosis. One can dance to sorrow or to joy.

    It’s through acceptance that we give up the fight to control the uncontrollable, and can begin to take action toward what we value.

    2. Cognitive defusion

    You are not your thoughts. This idea is central to the process of cognitive defusion. We sometimes get “fused,” or attached to a negative thought, which can end up clouding our view of reality and dictating how we experience life. But if we can get some distance from the thought, or separate ourselves from it, then we gain the clarity needed to understand that it’s just a thought, and our thoughts don’t define us. It’s our choices and our actions that define us.

    Cognitive defusion (via Reclaim Your Life)

    In his book The Creative Act, Rick Rubin describes the act of noticing the culture without feeling obligated to be a part of it:

    It’s helpful to view currents in the culture without feeling obligated to follow the direction of their flow. Instead, notice them in the same connected, detached way you might notice a warm wind. Let yourself move within it, yet not be of it.

    The same could be said for noticing thoughts or emotions. If we imagine them floating by us like the currents of a river, we can more easily see that they are fleeting and they are not really part of who we are. This is the power of cognitive defusion.

    3. Being present

    The present moment is all we have. ACT incorporates many mindfulness strategies, but perhaps none as direct as those focused on being present in the moment. In “The Haunted Mind,” Nathaniel Hawthorne writes:

    Yesterday has already vanished among the shadows of the past; to-morrow has not yet emerged from the future. You have found an intermediate space.

    It’s in this intermediate space that we have the power to act. Or, take Jamie xx’s song “Breather,” which features audio of a yoga teacher speaking calming words over the DJ’s backing rhythms:

    Breathe
    Be grateful for this present moment
    The only moment that truly exists
    ‘Cause the past is gone
    And the future is uncertain
    But what we know right now is this moment

    Making contact with your present-moment experience—whether it’s your external environment or your internal condition—rather than resisting it, is an essential component of ACT. Again, psychologist Carissa Gustafson describes it like this:

    The point is not simply to be present, but to help increase your ability to attend to your present-moment experience so that you can respond rather than react reflexively through old habits that may not be serving you.

    The only place that change can happen, after all, is in the present.

    4. Self as context

    This process is also referred to as the “observer self.” When our storytelling mind is in high gear we are locked into the “thinking self.” Similar to cognitive defusion, shifting into the observer self helps us gain some distance from our thoughts, or our thinking self. It’s basically the ability to view what you’re experiencing from an outside perspective instead of an inside one. We can do this through the simple act of noticing our own experience. If we can direct our attention to what we’re experiencing and name it, then we become aware of it, and it’s through that awareness that we’re able to confront it in service of living out our values.

    5. Values

    Once we unhinge ourselves from all the things holding us back, we become empowered to move in the direction of our values. But in order to do that, we need to know what we value. In ACT’s terms, values differ from goals, which are things that can be accomplished. Values, on the other hand, are more ongoing and provide us with direction in life.

    6. Commitment

    This process is also known as committed ACTion. Clever, huh? Once we’ve identified our values, the logical next step is to commit to living them out. Taken together with the other processes of ACT, we are freed to live according to our values instead of our unwanted thoughts and fears. Living like this may very well mean entering uncomfortable situations, but we do so willingly, knowing that they represent something we value. Isn’t that a much better and fulfilling way to live?

    So, if you ever find yourself struggling internally with difficult thoughts or unwanted emotions, remember ACT’s hexaflex. Go ahead and flex that thought muscle! Get out of your head and move toward living out your values.

    Image via the Mind Muscle Project

  • What You Came Here For

    In last week’s newsletter, I wrote about finishing Oliver Burkeman’s book 4,000 Weeks: Time Management for Mortals. I loved its central message of accepting our limitations—not the least of which is the limited time we all have in this place—as a way of living more freely and more meaningfully. In particular, I loved the sentiment with which Burkeman ended his book:

    And the life you will see incrementally taking shape, in the rearview mirror, will be one that meets the only definitive measure of what it means to have used your weeks well: not how many people you helped, or how much you got done; but that working within the limits of your moment in history, and your finite time and talents, you actually got around to doing—and made life more luminous for the rest of us by doing—whatever magnificent task or weird little thing it was that you came here for.

    It has me reflecting on what “magnificent task or weird little thing” I came here for and goes well with Austin Kleon’s “Be the weird you wish to see.”

    It also has me wondering about how limitations can counterintuitively liberate us in other areas of life. On this topic, Kleon too, has something to say. In the final chapter of his book Steal Like an Artist—titled “Creativity Is Subtraction”—he writes:

    Nothing is more paralyzing than the idea of unlimited possibilities. The idea that you can do anything is absolutely terrifying.

    The way to get over creative blocks is to simply put some constraints on yourself. It seems contradictory, but when it comes to creative work, limitations mean freedom.

    I’ve recently started following Erik Winkowski’s newsletter Paper Films, which I find to be wildly creative. When I think about using constraints as a way of unleashing creativity in your work, Winkowski’s short films immediately come to mind. For example, a few weeks ago he posted a video showing how he uses a typewriter to draw.

    The Written Image by Erik Winkowski

    Drawing with a typewriter

    Read on Substack

    It’s hard to imagine a more constrained way of drawing than doing so on a typewriter.

    Kleon also employs the humble typewriter as a limiting tool for his own creative work. He conducts his excellent typewriter interviews via the U.S. Postal Service, a constraint in its own right. In today’s hyperconnected world, the time it takes to type up interview questions, mail them out, wait for a response, and post the results serves as a limiter that brings Kleon’s creative work and collaborations into focus. It’s the good friction.

    He also popularized blackout poetry—a form of found poetry in which you remove, or “black out,” words of a newspaper or other text to create your own unique composition.

    From Austin Kleon’s Newspaper Blackout

    One of Kleon’s predecessors in this type of work was the visual artist Tom Phillips. In 1966, Phillips decided to take W.H. Mallock’s 1892 novel A Human Document and modify every page through his beautiful paintings and collages with the goal of creating an entirely new work of art—blackout poetry taken to the extreme. Phillips’s commitment to the project would produce his magnum opus: A Humument. Over the course of 50 years, A Humument saw various publications and modifications, the latest version coming out in 2016, just six years before Phillips passed away. Every page of this beautifully unique and impressive book is graciously available for viewing on Thomas Phillips’s website.

    Page 93 of Tom Phillips’s A Humument (2nd version 1986)

    In the end, Winkowski, Kleon, and Phillips have all used limitations as a way of freeing themselves to pursue and define their life’s work. In doing so, they’ve carved out their own creative niche—their own unique voice, their own version of weird.

    I think we need limitations in life. There’s definitely a time for pushing yourself beyond your limits, but when life seems complicated, I always find it helpful to simplify. If I ever feel stressed out, this mantra always helps to ground me: “Keep it simple.” This could just as well be, “Find a limitation.” It’s a way of focusing yourself in on what you can actually do now with the tools you currently have.

    Setting such limitations ends up teaching you something important—it might even reveal the wings of your real self opening, or the weird little thing you came here for.


  • Hey Jealousy

    Anne Lamott’s book, Bird by Bird, is a helpful and honest guide for writing fiction. She pulls back the curtains to confirm what we all already know about writing. It’s hard! Lamott paints the writing process as one riddled with insecurity, self-doubt, and despair. But she does so with a light heart and a whole lot of humor.

    Her chapter on jealousy stood out to me as one of the most insightful and one of the funniest. In it she describes a severe bout of jealousy she experienced when a less-skilled writer friend started to have a lot more success than her. She writes:

    My therapist said that jealousy is a secondary emotion, that it is born out of feeling excluded and deprived, and that if I worked on those age-old feelings, I would probably break through the jealousy. (…) She said it was once again that business of comparing my insides to other people’s outsides. She said to go ahead and feel the feelings. I did. They felt like shit.

    She goes on to detail the small pieces of advice that strung together a solution for her jealousy. I would summarize this string of advice as follows:

    1. Show grace to yourself and others, knowing that we will all die someday
    2. Practice mindfulness to get a little better day by day
    3. Use humor to make negative feelings funny
    4. Accept negative feelings and defuse their impact on you
    5. Talk and write about your feelings

    I’m a big believer in using strategies from Stoicism (see “7 Stoic Lessons on Living Life to Its Fullest“) and ACT (Acceptance and Commitment Therapy) to overcome any negative emotion that is preventing you from experiencing more fulfillment in life. This is exactly the stuff Lamott used to move past her jealousy. After putting these strategies into practice, she was able to reach a point of compassion for herself and for her friend, with whom she graciously decided to part ways. She writes:

    And finally I felt that my jealousy and I were strangely beautiful…

    The very day I read this chapter I learned of another resolution to a conflict involving shades of jealousy. In early June, Charli XCX released her album, BRAT. On the song, “Girl, so confusing,” she addresses an unnamed artist and the struggles she experiences in their relationship. Immediately following the song’s release, many speculated that the artist she was referring to was Lorde. This was confirmed when just two weeks later, Charli XCX released a follow-up single, “The girl, so confusing version with lorde.” On the remix, Lorde actually has a verse in which she responds to Charli’s lyrics about their relationship. She responds, in part:

    Well, honestly, I was speechless
    When I woke up to you voice note
    You told me how you’d been feeling
    Let’s work it out on the remix
    You’d always say, “Let’s go out”
    But then I’d cancel last minute
    I was so lost in my head
    And scared to be in the pictures
    ‘Cause for the last couple years
    I’ve been at war in my body
    I tried to starve myself thinner
    And then I gained all the weight back
    I was trapped in the hatred
    And your life seemed so awesome
    I never thought for a second
    My voice was in your head

    This is still pop music. Such a public display of resolving conflict is going to promote the work of both artists, and as the song suggests, “make the internet go crazy.” But I hear the dialogue between Charli XCX and Lorde as being vulnerable and honest. The very act of putting your work out into the world makes you vulnerable. The song’s subject matter brings me back to what Lamott’s therapist told her about jealousy:

    She said it was once again that business of comparing my insides to other people’s outsides.

    I try to remind myself on a daily basis that everyone I encounter is experiencing some kind of suffering, even those who appear to be happy and successful. Often times their sufferings are internal and go unnoticed, maybe even to the closest of friends. Knowing this can help us all give one another a bit more grace, reconcile the conflicts that divide us, and ultimately, reach the potential that each of us carries.


ABOUT THE AUTHOR

Eric Wenninger is an educator and writer. He teaches language and culture and writes about his thoughts and experiences here.