Tag: oliver burkeman

  • Look Away from Happiness

    Anyone who grew up driving in Wisconsin, or any other part of the world destined for slippery streets in winter, knows that sometimes you have to turn right to go left.

    It follows, then, that anyone who grew up driving in Wisconsin wasn’t surprised by what Doc Hudson said to Lightening McQueen in the Pixar movie Cars: “I’ll put it simple. If you’re going hard enough left, you’ll find yourself turning right.”

    But Lightening McQueen didn’t grow up in Wisconsin and he doesn’t get it. He’s too focused on turning left that he can’t do it. A prideful McQueen fails to see that to reach his desired goal, he has to change his way of doing things. Ultimately, he has to look outside of himself and adapt to his environment.

    Turn right to go left, from Pixar’s movie Cars

    Sometimes, to reach our desired goal, we have to take action that is unexpected, even counterintuitive to what our initial game plan might’ve been. Focusing too hard on the goal, it turns out, can actually blind us to the steps we need to take and prevent us from getting to where we want to go.

    In the wake of Gene Hackman’s death, I read an article that quoted him as having once said:

    I don’t like to look real deep at what I do with my characters. It is that strange fear that if you look at something too closely, it goes away.

    Hackman was an outstanding actor who I imagine worked very hard at his craft, so what did he mean? Maybe great actors bring their characters to life by focusing on something other than the end result. His words started me thinking about certain areas of expertise or states of being that can only be achieved indirectly. If you shoot for them directly, you’re bound to miss the mark.

    For example, considering knowledge of the soul, Virginia Woolf (via The Marginalian) writes:

    One can’t write directly about the soul. Looked at, it vanishes.

    In 4,000 Weeks: Time Management for Mortals, Oliver Burkeman writes about what happens when we focus on using time well:

    There’s another sense in which treating time as something that we own and get to control seems to make life worse. Inevitably, we become obsessed with “using it well,” whereupon we discover an unfortunate truth: the more you focus on using time well, the more each day begins to feel like something you have to get through, en route to some calmer, better, more fulfilling point in the future, which never actually arrives.

    And, in Zen and the Art of Motorcycle Maintenance, Robert Pirsig writes about the “meh” feeling that arises after visiting a popular natural attraction:

    [We] see the Crater Lake with a feeling of ‘Well, there it is,’ just as the pictures show. I watch the other tourists, all of whom seem to have out-of-place looks too. I have no resentment at this, just a feeling that it’s all unreal and that the quality of the lake is smothered by the fact that it’s so pointed to.

    These examples remind me of how important it is to focus on something other than the destination. My wife recently pointed out that the hardest part of running a half marathon is the last half mile, because you’re so preoccupied with being finished. By contrast, if you’re running a full marathon, mile 13 feels just like the others because you’re still focused on the journey.

    This past week, I was “playing” a game of cribbage with my friend Matt. After two hours, we had only progressed through one hand. The journey of conversation, it would seem, was more important than the game’s destination.

    Cribs progress after 2 hours – “It’s the journey, not the destination.”

    Matt and I were happy to be engaged in good conversation, without any preoccupation of it leading to any grand accomplishment or revelation.

    Many people struggle with figuring out how to be happy. It’s another one of those elusive states of being that can really only be achieved indirectly. In his book Flow: The Psychology of Optimal Experience, psychologist Mihaly Csikszentmihalyi writes:

    Yet we cannot reach happiness by consciously searching for it. ‘Ask yourself whether you are happy,’ said J.S. Mill, ‘and you cease to be so.’ It is by being fully involved with every detail of our lives, whether good or bad, that we find happiness, not by trying to look for it directly.

    He goes on to quote Viktor Frankl, who links success with happiness as two things that cannot be pursued directly:

    Viktor Frankl, the Austrian psychologist, summarized it beautifully in the preface to his book Man’s Search for Meaning: ‘Don’t aim at success—the more you aim at it and make it a target, the more you are going to miss it. For success, like happiness, cannot be pursued; it must ensue… as the unintended side-effect of one’s personal dedication to a course greater than oneself.’

    According to Csikszentmihalyi, happiness is the byproduct of living an active and cognitively engaged life. By focusing on key elements of the journey, happiness—or better yet, deep enjoyment in life—is a destination that can be reached.

    Csikszentmihalyi calls the journey “flow,” or the ability to experience so much enjoyment in doing something that you have the positive feeling of losing yourself in the process. If you’re in flow, you’re fully in the moment, without worry or concern for how you’ll obtain happiness. Happiness becomes an afterthought because you’re literally living a journey of self-induced fulfillment.

    Flow: The Psychology of Optimal Experience

    Another way of understanding flow is as the space between anxiety and boredom. For any activity, we can either further develop our skills or adjust the challenge level to stay in flow. But the important thing to realize is that we’re in control.

    Csikszentmihalyi describes the difficult emotions and mental states we experience in life as psychic entropy, or the disorder of consciousness. Without structure, the mind can be a chaotic place, leading to all sorts of woes and ruminations. It needs a sense of order for us to feel secure and satisfied. Flow is what restores that sense of order.

    So instead of focusing on the vague end goal of enjoying life, we might look closer at how to bring more flow activities into it. According to Csikszentmihalyi, these are activities that provide us with a sense of control over how we perform and that we have a chance of actually completing. They have clear goals that require concentration to reach, and provide us with feedback on how we’re doing.

    In the end, it’s quite simple: flow activities require us to work. Most things worthwhile in life do. The work is the journey to focus on. In the case of flow, it’s involving yourself in activities that increase the complexity of your mind, thereby reducing psychic entropy, and allowing you to experience growth of the self and a deeper enjoyment of life as a result.

    Look away from happiness, and instead toward creating quality experiences in life, making the most of what you already have. You might be surprised at how much happier you start to feel.


  • What You Came Here For

    In last week’s newsletter, I wrote about finishing Oliver Burkeman’s book 4,000 Weeks: Time Management for Mortals. I loved its central message of accepting our limitations—not the least of which is the limited time we all have in this place—as a way of living more freely and more meaningfully. In particular, I loved the sentiment with which Burkeman ended his book:

    And the life you will see incrementally taking shape, in the rearview mirror, will be one that meets the only definitive measure of what it means to have used your weeks well: not how many people you helped, or how much you got done; but that working within the limits of your moment in history, and your finite time and talents, you actually got around to doing—and made life more luminous for the rest of us by doing—whatever magnificent task or weird little thing it was that you came here for.

    It has me reflecting on what “magnificent task or weird little thing” I came here for and goes well with Austin Kleon’s “Be the weird you wish to see.”

    It also has me wondering about how limitations can counterintuitively liberate us in other areas of life. On this topic, Kleon too, has something to say. In the final chapter of his book Steal Like an Artist—titled “Creativity Is Subtraction”—he writes:

    Nothing is more paralyzing than the idea of unlimited possibilities. The idea that you can do anything is absolutely terrifying.

    The way to get over creative blocks is to simply put some constraints on yourself. It seems contradictory, but when it comes to creative work, limitations mean freedom.

    I’ve recently started following Erik Winkowski’s newsletter Paper Films, which I find to be wildly creative. When I think about using constraints as a way of unleashing creativity in your work, Winkowski’s short films immediately come to mind. For example, a few weeks ago he posted a video showing how he uses a typewriter to draw.

    The Written Image by Erik Winkowski

    Drawing with a typewriter

    Read on Substack

    It’s hard to imagine a more constrained way of drawing than doing so on a typewriter.

    Kleon also employs the humble typewriter as a limiting tool for his own creative work. He conducts his excellent typewriter interviews via the U.S. Postal Service, a constraint in its own right. In today’s hyperconnected world, the time it takes to type up interview questions, mail them out, wait for a response, and post the results serves as a limiter that brings Kleon’s creative work and collaborations into focus. It’s the good friction.

    He also popularized blackout poetry—a form of found poetry in which you remove, or “black out,” words of a newspaper or other text to create your own unique composition.

    From Austin Kleon’s Newspaper Blackout

    One of Kleon’s predecessors in this type of work was the visual artist Tom Phillips. In 1966, Phillips decided to take W.H. Mallock’s 1892 novel A Human Document and modify every page through his beautiful paintings and collages with the goal of creating an entirely new work of art—blackout poetry taken to the extreme. Phillips’s commitment to the project would produce his magnum opus: A Humument. Over the course of 50 years, A Humument saw various publications and modifications, the latest version coming out in 2016, just six years before Phillips passed away. Every page of this beautifully unique and impressive book is graciously available for viewing on Thomas Phillips’s website.

    Page 93 of Tom Phillips’s A Humument (2nd version 1986)

    In the end, Winkowski, Kleon, and Phillips have all used limitations as a way of freeing themselves to pursue and define their life’s work. In doing so, they’ve carved out their own creative niche—their own unique voice, their own version of weird.

    I think we need limitations in life. There’s definitely a time for pushing yourself beyond your limits, but when life seems complicated, I always find it helpful to simplify. If I ever feel stressed out, this mantra always helps to ground me: “Keep it simple.” This could just as well be, “Find a limitation.” It’s a way of focusing yourself in on what you can actually do now with the tools you currently have.

    Setting such limitations ends up teaching you something important—it might even reveal the wings of your real self opening, or the weird little thing you came here for.


ABOUT THE AUTHOR

Eric Wenninger is an educator and writer. He teaches language and culture and writes about his thoughts and experiences here.